On this page is a full list of the keys found in the Try This book, along with a brief description. Click on key 2, key 4, key 6 and key 9 for free samples.
Every key in the book is illustrated with two contrasting examples. For acknowledgements, details and further resources for the examples, click on the titles (in red) in the table below.
Key | Description | Example 1 | Example 2 | |||
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GETTING STARTED | 1 | Tackle a problem | Bringing picture books to life by exploring the tension in the story | Treasures based on Taniwha by Robyn Kahukiwa | ‘Zoo’ by Anthony Browne | |
2 | Experience the action | Getting inside the action of a story and adding something new | ‘Where the Wild Things are’ by Maurice Sendak | ‘City Dog Country Frog’ by Mo Willems | ||
3 | Solve a clue | Creating a story using a mysterious object or sign | The mysterious egg | A monster in the house | ||
4 | Step into history | Exploring a moment from the past from the point of view of someone who was there | Children working in 19th Century coalmines | Charles Kettle arriving at Ahimate | ||
5 | Start a story | Hooking interest in a real-world or imagined situation through storytelling | Dinosaur Island | Fossil hunters | ||
6 | Step into a moment | Stepping into a real-world or imagined situation and representing someone’s point of view | Haunui-a-Nanaia | Lady Macbeth | ||
WORKING VISUALLY | 7 | Watch a drawing | Drawing an image to introduce something new and intriguing in an inquiry | The dinosaur footprint | The school house | |
8 | Create a drawing | Collaborating to create a visual image of something important to an inquiry | The wolf | The space station | ||
9 | Study an image | Using an image to stimulate discussion, introduce new content, and generate inquiry questions. | Native Land Court | Evacuees | ||
10 | Assemble an image | Assembling an image of a place out of a series of component parts | The old manor house | Wild bird hospital | ||
11 | Watch a film clip | Watching the teacher enact something as if it were a piece of film | News Footage: Bastion Point | CCTV: The injured elephant | ||
12 | Enact a film clip | Creating an enactment of an event as if it were a piece of film | Feature film: Henry VIII | Tik Tok: critical literacy | ||
13 | Enact a photograph | Creating imagined photographs of moments from an inquiry | Titanic | Springbok tour | ||
14 | Enact a portrait | Representing a portrait of an important person | Hoani Meihana Te Rangiotu | Rosa Parks | ||
WORKING WITH PLACE | 15 | Create a place | Collaborating to create a three dimensional representation of a real or imagined setting | Te Āpiti – Manawatū gorge | Volcano island | |
16 | Create a settlement | Creating a representation of a human settlement from a specific time in history and imagining the lives of the inhabitants | An iron age Settlement | Puketōtara settlement | ||
17 | Enact a statue | Examining a real-world statue, learning about the person represented, and exploring ideas for how other influential people could be commemorated | William Wallace | Te Peeti Te Awe Awe | ||
18 | Enact an image | Responding to an existing image, and coming up with new images related to the same area of inquiry | The Great Fire of London | Relief camp | ||
19 | Create an object | Imagining and drawing the things that might be found in a real-world or imagined setting | The Egyptian tomb | What’s on the beach? | ||
ENGAGING WITH PEOPLE | 20 | Interact with someone | Observing someone in role as a real-world figure or imagined character, and engaging in a conversation with them | Fairy tale problem solvers | Cecil’s signage | |
21 | Encounter someone | Watching someone in role as a real-world figure or imagined character, and overhearing their thoughts to find out more about them | Cook’s Cook | The fairy tale queen’s problem | ||
22 | Describe someone | Scrutinising someone in role as a real-world figure or imagined character, and describing in detail what they are doing | The princess in the tower | The pioneer farmer | ||
23 | Study someone | Studying the body language and facial expressions of someone in role as a real-world figure or imagined character, and moving into role to interact with them | The coronation of the young pharaoh | The platinum prospector | ||
24 | Study someone’s clothing | Using an item of clothing as the starting point for engaging with a real-world figure or imagined character, speculating about their life, and creating a narrative. | The soldier’s scarf | Suffragist’s skirt and bodice | ||
GENERATING WRITING | 25 | Write some words | Generating uncomplicated pieces of writing, such as lists, labels and signs in response to an imagined situation | The fallen tree | Rescuing Jack from the giant | |
26 | Take some notes | Carrying out careful listening and note taking in response to an scenario where complex information is shared | The exhibition designers | He Ara Kotahi bridge | ||
27 | Draw a plan | Creating a plan for a structed piece of writing, based on a team response to a challenging task | Transporting an elephant to an animal reserve | Planning a birthday party | ||
28 | Overhear someone writing | Overhearing someone in role as a real-world figure or imagined character, as they compose a piece of writing, and offering assistance and advice | Florence Nightingale | Writing to a relative overseas | ||
29 | Write a newspaper article | Creating a quality piece of written work for a specific audience, through a process of research, drafting, review, and editing. | Titanic, a newspaper report | Sports scandal | ||
30 | Describe an event | Collaborating on a piece of writing to describe a real world or imagined event | The Roman legion | The flood | ||
USING THE SENSES | 31 | Examine some clothing | Observing and speculating about an item of clothing related to a real-world figure or imagined character, and generating a story about them | The runaway | The injured soldier | |
32 | Create a diorama | Retelling a story by representing a setting, characters, objects and events on a diorama | Origin story | Rama and Sita | ||
33 | Read a sign | Pondering the possible meanings for a mysterious sign as part of real-world inquiry or creative storytelling | Footprints | The protest march | ||
34 | Engage with an artwork | Using the six dimensions of dramatic imagination to explore a work of art | Music: Wai by Hirini Melbourne and Richard Nunns | A painting: Experiment on a Bird in the Air Pump by the Artist Joseph Wright of Derby | ||
35 | Take different viewpoints | Looking at a real-world or imagined event from multiple points of view over time | Train crash | Fireworks | ||
36 | Listen to something | Using a pre-recorded voice or sound as the starting point for creating a story | Wiretap | The island at night | ||
OPEN ENDED EXPLORATION | 37 | Explore a hole | Practising the skills needed to explore imagined worlds with other people | The cavers and the tunnels | ||
38 | Give a gift | Practising saying yes to ideas and giving and receiving offers | Just what I always wanted! | |||
39 | Occupy a chair | Practising improvisation and creative thinking. | What’s their story? | |||
40 | Help someone understand | Practising ‘flipping’ traditional power dynamics in teaching, learning and assessment | The Palaeontologist |